Wow And Flutter

Long and short pieces on music you should listen to; audio gear; and pop culture.

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Hello, we’re back!

We made it through the pandemic! I can’t believe it’s been six months since my last post, but let’s face it, things have been pretty crappy. It’s only since the Biden team took over that we’ve finally started to stab the COVID beast in the back, and really the past month we’ve seen staggeringly good progress in the good old Commonwealth of Massachusetts. Next Saturday: masks off!

Shure Super 55 Dynamic Microphone | Guitar Center
Hello? Hello? Is this thing on?

This is not an insignificant event, and I’m celebrating by getting my shit back together and posting on a regular basis (you can hold me to that.) Going forward, look for new stuff on Mondays and Thursdays. Ad proximum convivium!

We’re back! Come buy music!

Wow And Flutter LIVE! is back! We’ll be selling our carefully curated vinyl at Mill No. 5 in Lowell on October 31 (Halloweeeeen) and November 1st from 10-4. Look for us in the Hi-Hat area next to Vinyl Destination.


Come get some great records for the Spooky Season and/or get a jump on your Christmas/Hanukkah/Kwanzaa shopping. Special surprises for anyone showing up in costume (gotta wear a mask, tho)!


Check out the Mill No. 5 and Vinyl Destination pages on Facebook in the coming days for more cool stuff!!

Seven Months

I don’t know what it was. Maybe it was the cooler weather we’ve been having here the past couple of days. Maybe it was the impact of the rather remarkable (I refuse to use “unprecedented” anymore, it’s become – sadly – overused) situation that the Post Office has become controversial. The POST OFFICE. Maybe it was the turn of the calendar, and me recognizing that I’ve been working from home for seven months now, with no end in sight. In any event, the gravity of our current situation brought me back here, finally. (My last post was in April, for crying out loud.) I’ve got a lot to talk about. So I went to my collection and pulled out a bunch of vinyl I haven’t listened to on the turntable for a while, and I’m at the keyboard. Randy Newman’s Good Old Boys kind of called out to me tonight, and it kind of fits the current mood. Let’s do some fast takes tonight.

Good Old Boys (Randy Newman album) - Wikipedia
[Warner Brothers]
  • The Kink Kronikles. Aside from the Buzzcocks’ Singles Going Steady, has there ever been a better anthology? If you’re honest with yourself, you’ll agree. TKK is, like SGS, more than a collection of hits, though it functions as that, of course. It’s pretty much devoid of the primal, early, “You Really Got Me”-era songs, and more devoted to presenting the full spectrum of the Kinks’ brilliance, from Ray Davies’ well-documented observations of English life to his brother Dave’s best work. And John Mendelssohn’s liner notes are simultaneously moving, insightful and hysterically funny. Soon to be re-pressed for the first Record Store Day Drop in August! On red vinyl!
The Kinks - The Kink Kronikles (1972, Terre Haute Pressing, Vinyl ...
{Reprise]
  • You know what Clapton album is just as good, maybe better than Slowhand? 461 Ocean Boulevard. Fight me.
  • Found recently at Mystery Train in Gloucester: a SEALED copy of Johnnie Taylor’s Rare Stamps. Not someone I had on my Stax-artist-I’ve-got-to-check-out list, but, DAMN, this is some grrrrrrrreat soul music.
Johnnie Taylor - Rare Stamps (1969, Vinyl) | Discogs
[Stax]
  • I’m going to be covering audio gear more. This terrible pandemic has taken so much from us in life (170,000 dead as of this writing) and livelihood. Aside from – thankfully – my go-to record stores re-opening, there has been little to do musically; no concerts or gatherings. So I’m directed some of my pent-up music-related energies into to restoring electronic gear from the mid-70’s to early 80’s golden era of hifi. I’ve always admired the 1975-1978 Harman/Kardon industrial design (as well as their peerless audio design), including their Citation line. I just got an H/K 330c stereo receiver (cheap!) to restore as a first project. The 330c was a starter receiver that they sold tons of – it’s only rated at 20 watts/channel, but punches way above its weight. I’ll talk about my restoration efforts in future posts. Wish me luck!

Working From Home, day 1,345

the jon madsen movie commentary podcast: Episode 12: Sixteen ...

Well, no. Not that long.  It’s only been four weeks now that I’d been sent away from my office to work from home (WFH), and thankfully I’m still working.  Zoom is my absolute lifeline to the outside world, along with Roon+TIDAL.  If you haven’t heard of Roon yet, you will (mainly because I’m going to write about it in an upcoming post.)  But with all of my traditional, brick-and-mortar, touchy-feely record places shut tight for the foreseeable future, TIDAL is my musical lifeline.

One of the absolute killer features of Roon is its music discovery capabilities (think a much more sophisticated Pandora) that suggest music based on what’s in your library AND what you’ve listened to.  It misses some times, but when it hits, it’s creepy how good the suggestions are.  So, having set up a more permanent office in Wow and Flutter HQ (i.e., my old music room), I connected my Roon server to my vintage Harman/Kardon Citation Receiver and spend the first 5-10 minutes of my work day setting up an 8-10 hour queue of music for the day.  Here are some new-to-me discs I’ve played over the past couple of days. Check ’em out:

[enoshop.uk]

Mixing Colours, Roger Eno and Brian Eno
Of COURSE I’m going to start with an Eno disc.  This was just released as I was starting to settle in to my forced solitude, and it arrived at exactly the right time.  The Brothers Eno have uncorked yet another beautiful collection of ambient music, this one having music Roger created as long as 15 years back, to which Brian added his sonic treatments. 

[Superior Viaduct]

Prati Bagnati Del Monte Analogo, Raul Lovisoni/Francesco Messina
This one came out of left field (actually, from one of a bunch of artist lists in a Pitchfork piece.  This is a 1979 bit of “occult esoterica” from two Italian ambient music pioneers.  Although it gets ever-so-close to ‘aromatherapy music’, it never goes over the line into Windham Hill territory.  Recommended.

Future Nostalgia, Dua Lipa
OK, I listened to this at the END of the day.  This entire disc is a JAM, full of smart, danceable pop.  This is her second studio album, and was planned to be released as part of a huge rollout, with a spot on the Glastonbury roster, and a big tour (all of which were, obviously, scrapped.)  So, they took a chance and put it out.  I think their gamble paid off. Highly recommended.

Social Distancing Saturday Night, week 2

Our current reality for Saturday night fun: having some good Italian takeout from local favorite Orzo (support your local businesses that remain open!) and watching one of the many movies we missed from their original theater run (tonight: 1917. Well done all around.)

David Bowie - Blackstar - Vinyl LP - 2016 - US - Original | HHV

Tonight’s post-cinema disc: the fingers landed on David Bowie’s final album, Blackstar. His parting gift to us all, and his final piece of art. He recorded the damn thing in secret in NYC while he was sick with liver cancer with old friend Tony Visconti producing, and jazz saxophonist Donny McCaslin’s quartet backing him. It was released on his 69th birthday, and two days later he was dead. The album package is reputedly full of Easter eggs, but the most important thing here is the music.

Talk about a sprint to the finish line: while 2013’s (also) out-of-the-blue The Next Day was a welcome return to form, it wasn’t as start-to-finish strong as this disc. The band puts plenty of swing into these tracks, but they all rock. Bowie’s lyrics here are more evocative/cryptic than ever. They paint a gray mood at the beginning of the disc, growing darker towards the beginning of side two, then the light dawns on the last two tracks. It’s on “Dollar Days” and “I Can’t Give Everything Away” that he appears to come to terms with his end. You come to realize in gifting this work to us that he loved this world as much as the world loved him back.

Strange Days

Hi, everyone.  I know, I know.  It’s been too long between blog posts.  Between gearing up for the spring record shows, the WFMU Record Fair in Brooklyn, picking up (and listening to) new vinyl – and you, know, working – it’s been tough to squeeze in some good writing.

You know what comes next.

The COVID-19 pandemic – aside from cutting a wide swath of human and financial destruction that is at the time of this writing, sadly only beginning* – wiped out all of my spring vinyl plans, one by one.  The record stores are closed, social distancing is preventing even meeting up to look at potential collections to buy, and the late spring and early summer does not look promising, either.

We’ve got to all do our part to stop this pandemic, and so I’m at home 24/7, working remotely, cooking, sleeping, writing, and listening of course.  The weather has been more favorable than a couple of weeks ago, so it has been less claustrophobic, and I’m able to get out, run and take the dog on walks.  Many, many walks.  And we have (re)discovered our wonderful neighbors and friends, albeit six feet or more away from each other, and found kindness in the most unexpected places.

One bright, shining, silver lining to this new, hopefully temporary life has been in discovering new music and rediscovering treasured recordings.  I have not bought a new piece of physical media in over a month (shocking, I know!) but thanks to the wonders of TIDAL and HDTracks, have been able to voraciously tear through a slew of new or underexposed music.  I’ll be writing about that in the coming days and weeks. 

Until then, stay safe, stay home, stay six feet away, and wash your hands! See you soon.

*mind you, this is not a minor aside.  I do not wish to minimize or make light of what is happening to our world; I am positively horrified at what is happening right now, and hope that all of you are doing well, or at least as well as can be expected.

A Holiday Surprise from Courtney Barnett!

Hi everyone! It’s been a while between posts – the usual holiday rush has been compounded by record acquisition for Wow And Flutter Live! (my table-and-mortar vintage vinyl venture.) Sorry! I’m making a pre-New Year’s resolution to get back on the blog more often. Starting. Right. Now.

Every week I scan the new releases on Tidal on Fridays, and one which came out of left field (at least to me) was a live disc from the amazing Courtney Barnett – not just a live disc, but an MTV Unplugged set that was recorded in October with her band in Brunswick, Melbourne. I had no idea that Unplugged was even a thing anymore! Much less, anything this fantastic!

Image result for courtney barnett mtv unplugged
[http://www.courtneybarnett.com.au/]

True to form, Barnett’s set is wide-ranging, interesting and certainly not ‘pedestrian at best.’ There are a couple of performances which can be slotted into the typical laid-back Unplugged sound (complete with cello and subdued band execution), like the rearranged Depreston and Avant Gardener, but the song selection doesn’t shy away from her edgier (but always honest) work, like Nameless Faceless from her last studio album Tell Me How You Really Feel. Which is really, let’s say it, is not your typical crowd-pleaser; but it’s not supposed to be. In that sense, the artistry here is at the same level as Nirvana’s classic MTV Unplugged In New York, (the undisputed champion in the series.)

One of the things I love about Courtney Barnett is that she’s pretty fearless and true to herself. Her interesting song selection here is made richer by the guest artists/friends she generously shares the stage with here – Paul Kelly, Evelyn Ida Morris, Marlon Williams – who are not as well-known on these shores as Courtney is, but whose performances enrich the proceedings immensely. And, there’s a Leonard Cohen song! And a previously unreleased Barnett song!

My weekly Friday listens on Tidal are a great way to “try before I buy.” I’m a firm believer in buying music I’m really invested in, because folks, artists make their money from selling discs (and touring of course) – nobody’s getting rich from streaming revenues. I’m definitely buying this one once it’s released in physical form. Very highly recommended.

Wow And Flutter LIVE! at Mill No. 5 in Lowell, MA, October 12th, 2019

So, you’re probably wondering where I’ve been? Well, getting ready for my first record show! Make your way to Mill No. 5 in Lowell, MA on October 12th, 2019 from noon to 4PM for Wow And Flutter LIVE! I’ll have my table there as part of A Little Bazaar‘s That Hole Thing record show.

Stop by for all your essential vinyl needs as well as some tasty doughnuts from the locals. I’ll have a good selection of clean, vintage vinyl and hot music takes. (The takes are free, the vinyl costs $.) You may not get what you want, but you’ll get what you NEED.

PS I’m always buying vinyl – hit me up at the contact link if you want me to check out your goods for a fair price.

Oh, the humanity!

I should have known. Everything was going great musically. Great new discs were coming out, like Hot Chip’s AMAZING A Bathfull Of Ecstasy and Bill Callahan’s Shepherd In A Sheepskin Vest, and more to come, like the remastered Running On Empty and Eno’s Apollo: Extended Edition. I was finding GREAT used vinyl everywhere. (like a VG+ condition original Mobile Fidelity pressing of Supertramp’s Crime Of The Century for SIX bucks! SIX!)

And then, the cruel, cruel hand of fate struck my stereo: my beloved amplifier got sick. The powerful, sweet beast that is my Harman/Kardon HK990 started shutting itself down occasionally, then more frequently. I found this amp about two years ago on eBay for quite a bargain considering its original $2500 price. It’s a very musical dual-mono Class AB stereo amplifier with room correction and a killer digital-to-audio converter (DAC), and until about a month ago, was very happily driving my NHT Classic Three speakers and CS-10 subwoofer.

Alas, poor amp, we hardly knew ye

And then, the music died. Just the ominous words “Protection Mode”, then silence. Craaaaaaaaaap. I took it to two local places, who threw up their hands and told me to send it to the very reputable United Radio in Syracuse, they’d know what to do. They did – they’d have to do pretty much a complete teardown of the unit to isolate and fix the problem for almost as much as much as I paid for it.

So, for almost a month and a half I was without my Wow-And-Flutter engine to listen to my physical media. Like Joni said, you don’t know what you’ve got till it’s gone. So I had United send the unit back to me, and I set to looking for a replacement. The only other amp I’d consider the Harman’s equal is the Anthem STR integrated amplifier, but that would set me back a cool $4500. Sad horns. So, I’m saving my pennies for that.

As luck would have it, my diligent research turned up an almost perfect replacement: plenty of power, an fantastic onboard DAC, analog and digital inputs for all of my stuff, a subwoofer output, outputs that would let me keep recording my vinyl finds (a must) and – bonus points – solid retro good looks. It’s the Yamaha A-S801:

Yamaha to the rescue!

It’s not perfect – I’d prefer that it had a display showing me the current volume/selected input, it’s missing a Pre Out/In so I can connect my headphone amp, but damn, this is a fantastic sounding amplifier – more than satisfying. Best of all, I got an open-box model at the wonderful Crutchfield and saved almost $200 off the sticker price!

If anyone wants a beautiful amp and is willing to put several hundred dollars into it to get at least another ten years out of it, it’s up on eBay for the next couple of days. Bid away while I reacquaint myself with Little Feat’s Waiting For Columbus.

Stop what you’re doing and go to the New York Times website. Now.

This article on the 2008 Universal fire will be the most important article you will read this week. It chronicles a staggering cultural loss as well as a (yet another) example of how little the major labels GAF about their responsibilities as keepers of this art.

Photo Illustration by Sean Freeman & Eve Steben for The New York Times. Source Photograph: Michael Ochs Archives/Getty Images.

I don’t usually do a direct link to content on other sites (I would of course always love to have your eyeballs here reading my stuff), but the diligent and deep reporting that has been done by The Times, including some of the most coherent explanation I’ve ever seen as to precisely WHY the 2008 Universal fire was such an incalculable loss to our culture, merits my recommendation that you just go read this. Just go. Now.

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